More than 30 hours? Wow, I wish I could work so long on one piece. Really great. The water looks so realistic. Did you use a reference for it? The mood of this one is really great, dig the colors. The ships don't look that realistic yet, because of the lightning I think. But I'm no pro, so I think here are some better painters how can tell you exactly why. Because there shape is top. Especially love the tentacle in the rose light .... and the clouds ... and omg, the water.... *stunned* ....
Thanks for the comment. Yeah, I was never really happy with the ships, the monster came out really well, but the ships... guess I just need to practice more.
I used reference for pretty much everything, including the water.
And yes, 30 hours, I tend to just work until it's done. That's 30 hours spread out over a number of days or weeks mind, since I don't tend to have a great deal of time to paint in between work and stuff.
This is really nice work! You're more ambitious than I currently am about tackling imaginative paintings.
Couple crits, if you don't mind: 1) The highlights of the eyes seem too bright for the light source they're coming from, I think. The eyes also feel very large to me. As creature size gets bigger, eyes are proportionally smaller I've observed (but Icould be wrong about that).
2) The lighting on the sails seems off. Looks like you're trying to achieve rim lighting in addition to simulating the translucency of the cloth. The problem I see is that you're smooth-shading the backside of the sails. I don't think that's quite right.
Here's what I would do (keeping in mind you can take my opinions with a grain of salt!): Use a hair-thin pencil brush for the rim lighting. This should be the brightest part of the sails' shading.
If you want to light up the back of the sails, keep it low-key and flat (no gradation from light to dark). Keep in mind that the sails cast shadows on each other, and that will affect what parts of the sail receive the translucent effect.
Finally, a couple ideas. The scene is very exciting, but I think you could punch it up with some atmospheric effects like sea-spray in the foreground and maybe some mist spread throughout the piece that catches the blue-glow of the monster. Maybe rotating the view would add a sense of action as well?
Anyway, hope this helps. It's a neat painting so far, regardless of any crits I may have! Love the lighting and the painting you did on the ocean. That doesn't look easy.
Hah, yeah, if I were still working on this, I'd likely do a few things differently (I still don't like the ship that's farthest back, I haven't integrated it well enough into the scene). So yeah, this scene would have benefited from some atmospheric effects (something I'm actually working into a piece I'm doing right now).
And yeah, I was never too pleased with those sails. I think you got the right idea there.
And you're correct about the eyes, realistically, eyes can only get so big before they start to become inefficient (largest eye on a living animal today is less than 10 inches in diameter).
I think the eyes could be even bigger. If it was a really overseized frog, big eyes wouldnt be wrong. I feel like something is missing on the right side of the picture, maybe clouds? Over all, a cool picture.
The monster looks great! The colors are great! It's easy to not wander off the page and I keep getting drawn to the monster's face, which is good. The water looks good, especially being dark water with the strange lighting, that looks difficult to do well? I appreciate the level of detail and what looks like insect influences in the colossus' design. Overall, a really great job and way better than I could hope to do anyyyytime soon, haha.
It would be cool if the picture were clearer about whether this is truly something to be afraid of (e.g. picking up a ship and slamming it around) or whether it's just misunderstood and they're attacking it out of misguided fear, which would need to be illustrated a different way. It has nothing to do with technical stuff, it's just having a story told in the piece helps to draw viewers in. Though I see someone else recommended something similar to make it a more dynamic piece.
I'm not sure whether you intended this to be out in the middle of an ocean or close to shore but I can't shake the feeling that there's something off about the water depth. It doesn't feel like very deep water to me, I'm guessing from the way the ships appear to be sitting on top of the water, skimming the surface, instead of weighed down and sailing through the water. Also, there's the way the monster is standing so high out of the water. It would be difficult to do that in the middle of the ocean with nothing underneath you, so it gives the impression that it might be standing on something - i.e. ground.
And here you have
the number one
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Meditation of Daily
Picolo is a graphic
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The ThemeWelcome to
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contest. I've tried
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ack: Close-ups (this
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water. It can be
drops, it c...
April 23rd, 2014We
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Bluefley has a gallery filled with artwork that whisks you off in to a Sci-fi daydream, and keeps you captivated for hours. Marc has been a member of our community for over a decade and has achieved nothing but success with his astounding commitment to interacting with the community, sharing a prolific amount of video tutorials and generally being an all round rockstar deviant. It is no joke that we are absolutely delighted to award the Deviousness Award for April 2014 to ... Read More